Karol G is a Columbian musician. She recently performed at one of the most popular music festivals, Coachella. She covered music from Latin icons such as Selena, Shakira, and Celia Cruz. She chose her outfit to have colors of the Columbian flag, as she wanted to honor Columbia. In 2022, she performed at Coachella, marking a step in the right direction for representation at this historically white festival. Although Coachella has stepped up its game this year, in the past its appropriation of different cultures has made it a toxic environment for minority attendees.
In Teen Vogue, Terri Burn writes about her experience attending Coachella as a black woman. Burns discusses how she witnessed white people scream the n-word during every rap performance, wear black hairstyles, and even encountered people who would ask to touch her hair. Even before she even went to Coachella, she stopped by an African braid shop to get her hair braided and for the first time she saw a handful of white and Asian women at this hair shop. They had just returned from the first Coachella weekend. Burns heard Kendrick Lamar perform “Alright”, and she pointed out how the song was not meant for all the white people in the crowd shouting the n-word. When Lamar starts of the song with “Alls my life I has to fight”, this is only truly meaningful to the victims of discrimination and police brutality. She witnessed appropriation to the highest degree.
In the 2022 Coachella there was much more representation. We saw Karol G, Mexican American artist Becky G and even banda act such as Grupo Firme and Banda MS. Here’s hoping that 2023 does even better.
(Alternative title: JK Rowling needs to be blasted from a cannon straight into the sun.)
J.K Rowling is one of those rich people who could have had things so easy. She wrote a beloved children’s book franchise, sold upwards of 500 million copies, and made a crap-ton of cash from her beloved books becoming equally beloved movies. I can only guess the billions of dollars in sales she got from those life-size Dobby statues.
All she had to do was shut up and live out the rest of her days in her stupidly lavish multi-million dollar mansion. But for some reason, that’s never enough for celebrities. They have to feel big and important, so they become activists on whatever suits their fancy–animal welfare, poverty, the whales. Usually that’s harmless, but JK Rowling wanted to champion herself as a woke-AF independent woman™. This started as her declaring characters such as Albus Dumbledore to be gay, and embracing fan visions of the characters as POC (people of color). A nice gesture, if a bit of an empty one, seeing as how she never actually put in the effort to include quality representation into her books (We have only a few POC characters, and they’re riddled with stereotypes. See Cho-Chang, whose name is a couple letters away from an asian slur.)
As the years have gone on, she’s gone from being an insincere activist to a mouthpiece for transphobic politicians. To be more specific, she’s an outspoken TERF (Trans Exclusionary Radical Feminist). TERFS identity as feminists, but they exclude the rights of transgender women from their advocacy of women’s rights. Often TERFS appear progressive on the surface, and will be loud and outspoken about their desire to protect and empower cis women. Underneath that facade, however, is an ugly rhetoric that harms trans women’s sense of self and safety (Which, if you ask me, makes them pretty lousy feminists). TERFS often partner with certain lawmakers and political groups to push against transgender equality in areas such as athletic competition, access to public spaces, and healthcare for trans kids.
Rowling in particular is dangerous to the feminist cause. It’s one thing for a celebrity to make a mistake, an off-color joke, or have done bad things in the past. It’s a whole other thing when they actively campaign against a group on social media. In Rowling’s case, it seems to be even easier to attract people to the TERF cause because of the language she uses. One of her “deepest concerns” is that by allowing trans-women into public spaces such as bathrooms, sexual predators will also be invited in. In her own words:
“When you throw open the doors of bathrooms and changing rooms to any man who believes or feels he’s a woman – and, as I’ve said, gender confirmation certificates may now be granted without any need for surgery or hormones – then you open the door to any and all men who wish to come inside. That is the simple truth.”
Except no, it’s not. Nondiscrimination laws say nothing about allowing men into women’s statements. Allowing transgender folks in bathroom is a civic necessity. The discomfort, shame, and fear they feel of not being able to have that access is very real, and Rowling is willing to shove all that aside for the false claim that it will allow men into women’s bathrooms. Rowling either believes a false version of the law or is deliberately lying to further her point. In this statement Rowling also alludes to the long-held myth that sexual predators pretend to be trans and skulk around women’s bathrooms all day, ready to strike at any moment. This myth has been debunked over and over by watchdog groups like Media Matters.
As someone who has enjoyed Harry Potter into even adulthood, it’s difficult to grapple with the fact that someone who has created such a beloved property could have bigoted views–especially when Rowling is so outspoken about the importance of feminism. I can agree with her there–but I don’t want any part in a version that doesn’t include all women.
Since starting college, there has been little time, if at all, that I have gotten to sit down, pick up a book, and read. No distractions, no emails, no assignment deadlines, just me and the smell of printed paper. As a book lover, I came across a list of feminist-written reads that I had to share. If you have already been introduced to the world of feminist writing, or are just getting started, this list is compiled with reads from feminist thinkers and novelists to poets and producers of feminist pornography. There is something for all. I have picked 7 books that I think I would want to pick up, but you should visit Esquire to get the entire list. If you want even more feminist reading, don’t forget to check out our Women’s Center library, located in our office at 105 Haag Hall!
This witty, humorous collection of stories recounts memories from the author’s life and identity as a Native American woman. Midge reflects on feminism, tweeting presidents, and white-bread privilege. Enjoy Midge’s urban-Indigenous identity and how it has impacted her ideas on culture, race, media, and feminism.
Rana el Kaliouby is entrepreneur and scientist, working in the field of emotional intelligence, Emotional AI, and cofounder and CEO of Affectiva, a start-up company spun off of MIT Media Lab. This book is a memoir that highlights the conflict between her Egyptian upbringing and her goals in life.
This book shows how men express emotions in different stages of life, status, and ethnicity and how toxic masculinity skews men away from an important part of themselves. It discusses men’s concerns, like the fear of intimacy and their role as patriarchs in society.
We already know stories of magical creatures and witches, but Circe recreates the sorceress from Homer’s Odyssey in a feminist light. The overlooked character of Circe gives rise to her independence in a male-dominated world.
A collection of writings from feminists in the adult entertainment industry and research by feminist porn scholars. This book investigates how feminists understand pornography and how they produce, direct, act in, and buy a into a large and successful business. Authors of these writings also explore pornography as a form of expression where women produce power and pleasure.
Serano writes about her journey before and after transitioning, expressing how fear, suspicion, and dismissiveness towards femininity molds society’s view on trans women, gender and sexuality. Serano also proposes that feminists today and transgender activists must collaborate to embrace all forms of femininity.
Ever watched a movie or tv show based in high-school? Think about the female characters. There’s often a character who’s a “school slut” or girl who wears revealing clothing. She is almost always over-sexualized. Reporters have noticed the almost obsessive need to sexualize the teenage experience, especially with Gen-Z. As a borderline millennial myself, I do not think movies and tv shows accurately represent teen life because the film industry has a skewed view of the high school experience. A more recent example is HBO’s Euphoria, a show meant to portray the mind of young teens.
Although I have not watched the show, many critics of the show feel its objectification of underaged girls is an issue. The Daily Targum, an online newspaper, mentions that Hollywood has a history of setting unrealistic beauty standards, focusing on the women characters’ sexual development. This may have to do with men filling writing and directing roles, and that female characters are being used to appeal to the male eye.
This idea was brought to my attention on Euphoria, because the writer and director of the show is also male. Are male writers and directors conscious of how they’re portraying women? Those who have watched Euphoria agree that the show is not shy about displaying nudity. With the numerous sex, nude, and drug scenes, the Guardian writes that younger audiences may be accidental targets. From featuring former Disney costars, attractive models, to a soundtrack made of popular artists, I can see how this show would be appealing to them.
The main topic of discussion here is to consider how society imposes sexuality on young girls. Media outlets like social media, tv shows, and movies impact girls and their mental health. Sexualization in media suggests that being “sexy” is liberating and powerful. However, when girls are exposed to unrealistic portrayals of girls their age, it can lead to internal conflict, confusion, self-loathing, according to a Verywell Mind article. Not only do media platforms persuade young girls to express their sexuality, but they open a channel for them to do it.
Due to labor laws, directors may cast women to play the roles of high school-aged girls. I was shocked to learn that actress Rachael McAdams was 25 when she starred in Mean Girls as a high school bully. The Daily Targum gave an opinionated review that though the sex lives of teens cannot be completely censored, it is a “fine line between sexualizing young women and being informative on how teens view and experience sexual activities.” It can give teens the wrong perception, that what they see (a grown, developed, working woman) is how they should look in high school. Granted, some girls develop more than others in their teens, but these films and shows are setting the bar almost impossibly high for growing girls.
For social media outlets, there is a negative side to sexual exposure. The American Journal of Psychiatry mentions Nancy Jo Sales, writer of American Girls: Social Media and the Secret Lives of Teenagers, who concludes that social media can reinforce sexism and objectification. Many times, young girls are sent unwanted penis pictures, pressured to send nude photos, or portray themselves in a sexualized way to compete with other girls for “likes” online. It’s not only happening in the media, but in other parts of teen’s life. The answers for why girls’ sports feel that they need to dress in more revealing uniforms, why women who are more endowed and shapely play high schoolers, or why sex scenes can’t be censored and have to be shown repeatedly, can only come from females in the media industry. There need to be more women in the media to stop the sexualization of girls and young women. Female writers, directors, other creatives could help create realistic portrayals of women in the media. Stricter and more protective laws for women can also ensure safety for women of all ages.
The absence of female authors and the large majority of male readers has potentially skewed the comic book industry. Overly sexy female characters, constraining female characters to secondary roles, and dull or extreme personalities are the patterns of sexism observed in comic books or graphic novels. “Women in Refrigerators” or “fridging women” is a term coined by Gail Simone, which is used to refer to the disempowerment or maiming of female characters. The origin of the term came from the 1994 comic The Green Lantern #54.The hero, Kyle Rayner, returns home to find his girlfriend, Alexandra DeWitt, killed and stuffed in a refrigerator. This trope became recognizable as a way for authors to use female characters as devices to project their male characters forward in their story.
“Fridging women” as a trope applies to much more than just comic books. Utilizing female characters as assets to their male counterparts contributes to the sexism women are subjected to their entire lives. Young girls or women who consume this media get the impression that they are only a mere accessory to the plot rather than an influential factor in the story.
Acts of sexism extend beyond the over-sexualized characters. Female authors have become gradually marginalized with the growth in the industry and female fans are attacked and criticized for their opinions. The results of these problems can damage the social image of women and make it increasingly difficult to fight the gender equity issues concerning our world today. Equal representation in the entertainment industry must take precedence in order to undo society’s status quo.
America Ferrara is a trail blazing Latina in Hollywood. For over twenty years, Ferrara has been breaking stereotypes on screen and has become a role model to all Latina women. Throughout her career she faces criticism from not only people from Hollywood but also her family. She recalls a time where a family member told her, “Actresses don’t look like you. You’re brown, short, and chubby” (America Like Me: Reflections on Life Between Cultures )
Ferrera always went for roles where the characters that were relatable and it landed her first major roles including the character Ana in “Real Women Have Curves” (2002). Since then, she has been countless other movies and TV shows not only as an actress but as a director and producer. Her latest project, “Gentefied” a bilingual dramedy on Netflix is about a Mexican America family that is being pushed out of their home, Boyle Heights California, due to gentrification.
Ferrera wants to represent Latinos not only on screen but behind the scenes. In her words, “Making TV is hard, period. Making Latino TV by Latinos for Latinos is nearly impossible.” Ferrera continues to fight for basic representation and is continuously fighting for this simple ask.
Hi again, and welcome to a shiny new blog segment! Thrice a month, I’ll be diving into an aspect of pop culture with a feminist twist.I think this will be a great way to bring some awareness to popular media’s relationship with feminism. This time, we’re talking about anime. In other words, I’m going to ruin fun things for everybody by talking about how they suck.
Anyway, if you know anything at all about me, you know I’m a huge anime fan. My friends can attest to the army of anime figures on my bookshelf, my enthusiastic rants about the most newest shows, and those who have seen me at my most depraved will recall my Kuroshitsuji cosplay (we do not speak of those dark times). But as someone who has watched anime for half a decade now, there are things about it that I’ve never grown fully accustomed to.
There’s the fanservice- upskirt shots of barely legal schoolgirls, beach episodes showcasing cleavage, seemingly random nude scenes, and jokes that often end with an embarassed/angry woman as the butt of a joke. To clarify, I don’t have problem with dirty jokes or sexy characters in anime–this is not the issue. Rather, what skeeves me out is when sexual harassment is played for laughs, or when the “sexy” character in question looks like a child. For example, take the first season of the Netflix original anime, Seven Deadly Sins. The main character constantly harasses another character by groping or looking up her skirt, while the other characters berate him for being a pervert. This is supposed to be a running gag.
That’s not a joke. It’s just sexual assault.
Even elements of anime as simple as character design show blatant sexism. Let me present to you: a murderous assassin who attacks under the cover of London fog, Jack the Ripper. If you clicked that link, I’m sorry. No, the show does not provide a reason for Jack the Ripper, of all things, to appear as a skimpily-dressed minor. And no, there’s not a good reason for her to be wearing a bikini. And no, I have no idea why she’s wearing heels. We all know that if this character was a dude, there’s no way he would be dressed like that.
Although these aspects of anime are unsettling, at least I can skip them. I can easily avoid a scene that will make me uncomfortable. If I’m bothered, I can just skip, or I can laugh at how stupid it is. But you know what I can’t skip or laugh off?
Crappy female characters—especially those in otherwise decent shows. Don’t get me wrong, anime has no shortage of awesome female characters, but too often, especially in shounen (usually action oriented and marketed towards boys), female characters are sidelined by their male counterparts. Take for example, a character that’s been universally hated since her inception: Sakura Haruno, from Naruto.
Sakura’s a train wreck of a character. Her deepest desire is to get together with a boy who has the romantic appeal of an enraged housecat. Sakura doesn’t have any complex desire for self-realization, or a reason to push herself that doesn’t involve a dude.
The manga’s creator intended for Sakura to be the quintessential “girl” character, which makes me pretty concerned about what he thinks the average woman is like. If every woman acted like Sakura, I think the human race would just be doomed. She’s a walking stereotype: a constant damsel in distress, weak, boy-obssessed, annoying, and vain. However, Sakura does have her redeeming moments- she gets very little action compared to the male characters, but she does have some fight scenes, and she’s regarded as a capable ninja in her own right. Personally, I can’t bring myself to hate her fully. I love Naruto, and since she’s one of the only major female characters, I have to take what I can get.
Although poor Sakura is an extreme case of a poorly written female character, I see the same issues she has in female characters all over anime. Female characters are seen as lesser in all contexts, both by other characters, the audience, and the people who create them. This issue is perhaps more complex than I give it credit for: anime is created for a Japanese audience, not an American one. They have their own unique issues when it comes to gender equality, as does the United States. The way Japanese society views women is different, and it’s important to keep that in mind as you enjoy your favorite anime. At the same time, I believe that’s a poor excuse for anime to have such poor female representation. I’ve seen great anime that don’t use the harmful tropes and stereotypes I’ve described, that allow female characters to be more than set-pieces for the male ones. It’s possible. Anime can do better.
If you’re like me, it can be hard to let go of anime, despite all of its systematic issues. I’ve spent my whole childhood watching anime. At this point, it’s just a parasite sucking out my brain noodles and replacing them with cup ramen. You don’t have to stop watching the anime you love. I understand it’s not possible for every person to do that. However, as anime fans, we need to at the very least, recognize the sexism at play in anime. The degree to which it’s ignored is astounding.
I get it’s asking a bit much to demand that the anime industry abandon its weird obsession with school-girls and french maids, but can we at least acknowledge it’s weird that it’s there in the first place?