More memorable moments with the Brush Creek gang!

Midland MinstrelsThe Brush Creek Follies may have easily been classified as a western rural variety show, and to an extent, that’s exactly what it was. However, quite a few musicians featured on the Brush Creek Follies did not devote their musical abilities exclusively to hillbilly and western music. Such groups as the Midland Minstrels (pictured right), Harvest Hands, Judy Allen, and the Payne Sisters all performed songs that appealed to novelty and popular music crowds. These musicians were incredibly good, especially the multi-talented Charlie Pryor, originally a member of the Midland Minstrels and later affiliated with the Tune Chasers. Listen to an excerpt displaying the versatility of the musicians on the Brush Creek Follies.[audio:http://info.umkc.edu/specialcollections/wp-content/uploads/2011/10/2012-02-13_BrushCreek2_Church_kmbc-785.mp3|titles=Whatcha know Joe]

In addition to the great musical performances, the show presented familiarity to its listeners with the use of catchphrases by certain cast members. Here are just a few that have been burned into my mind after many hours of listening:

“Well for gosh sakes!” — Scrappy O’Brien, Kenny Carlson’s ventriloquist dummy, would always follow this catchphrase with a laugh and the occasional “Aw, shucks.” The “gosh” part of this catchphrase could last a good five seconds.

“Now cut it out, will ya?!” and “No foolin’…” — “Radio’s original rube” Hiram Higsby always had something clever to say or do during the show. Playing the part of the emcee for the Brush Creek Follies, he also announced most of the performances and was a regular part of the comedy routines, which often included these two catchphrases.

The laugh of Rube Wintersuckle — Think of what it would sound like if while driving, you rolled over a series of bumps while laughing. This is exactly what Rube Wintersuckle’s trademark laugh sounded like. Playing a red-headed hillbilly, Wintersuckle tended to come off as brainless because of his appearance and demeanor, but in the end, he always had the last laugh (no pun intended).

“Oh man…” and “Ain’t you hear?” — Probably the most discriminating and cringe-worthy of all of the Brush Creek catchphrases would be George Washington White and his black-faced comedy routine.

“Timber, timber, timber, timber!” — Similar to the way the Three Stooges harmoniously sang their hellos, Rocky and Rusty always introduced their songs with their own theme song.

“Uncle Charlie!” — Little Mary, a latecomer to the 1941 season, always brought about big laughs from the audience with her high-pitched voice, and we may never know why or what she looked like.

Gabby Tuttle, KMBC Project staff/Liberal Arts (BA) student

For more photos, information, and audio clips on the Brush Creek Follies, visit the Brush Creek Follies web exhibit.

Memorable moments with the Brush Creek gang

Come on everybody, get ready to go, this is the Brush Creek Follies show! There’s singing and dancing and fun galore, and maybe if you whoop and holler we will do some more! Saturday night in Kansas City was a night of comedy, singing, dancing, and pure entertainment for the public provided by the local variety show, the Brush Creek Follies. Similar to the Grand Ole Opry, this live radio program showcased western-style musicians, comedians, and the occasional special guest. Thanks to the Arthur B. Church collection available in the Marr Sound Archives, you can have access to the shows that aired in 1941 as well as a select few others.

The 1941 season of BCF was smack dab in the middle of World War II, but you could hardly tell because of the excitement the show brought every Saturday night. Each week, BCF had a theme, which gave the performers a central focus for their weekly material. Some themes were targeted towards a certain population of listeners, such as “Irish night”, “Kid’s night,” or “Couple’s night.” Other themed nights were celebratory, such as the 3rd anniversary of Colorado Pete, a yodeling cowboy. My personal favorite, “Beaver’s night,” entailed all the men not shaving throughout the week, and a contest was even held to find the longest whiskers in the audience. What made the show successful were the performers, who all had extremely devoted fans. Kit and Kay, twin singing cowgirls, were especially popular and often received flowers and gifts from audience members.

The show’s regular performers appealed to all ages: a favorite for the kids was ventriloquist Kenny Carlson and his dummy, Scrappy O’Brien; the older generation could listen to the “Remember Time” segment, in which singing couple, Smokey Parker and Penny Lynn would sing “oldies but goodies;” and you could hear young girls literally swooning over the singing cowboy groups, like the Oklahoma Wranglers and Rocky and Rusty. Of all the acts that I had heard, nothing was quite as original and still mysterious as Little Mary’s comedy skit, often done with BCF co-host, Charlie Napier. What makes Little Mary mysterious is that I haven’t figured out just what she is. I have created this idea that she is either a man dressed up like a little girl or a puppet. All the same, her high-pitched voice and constant antagonizing Napier is very amusing. Click here to listen to an excerpt from the show.[audio:http://info.umkc.edu/specialcollections/wp-content/uploads/2012/01/2012-01-24_BrushCreek1_Church_kmbc-757.mp3|titles=Kenny and Scrappy]

Coming up in the second installment of this two-part Brush Creek Follies special, we will look at some super-talented musicians and the catchphrases that I couldn’t forget if I tried.

Gabby Tuttle, KMBC Project staff/Liberal Arts (BA) student

For more photos, information, and audio clips on the Brush Creek Follies, visit the Brush Creek Follies web exhibit.