The Passing of a “Genteel Englishwoman”

We mourn the recent passing of Marian McPartland, jazz legend and host of the popular radio show on NPR, “Marian McPartland’s Piano Jazz.”  Born in Windsor, England, March 20, 1918, McPartland moved to Chicago in 1946 with her American husband, Jimmy.  She became a fixture of the American jazz scene, first as a pianist in the 1950s, and then in 1978 as the host of her radio show.  McPartland was one of only three women featured in the iconographic 1958 photo A Great Day in Harlem, a b&w group portrait of 57 notable jazz musicians photographed in front of a brownstone in Harlem, New York City by freelance photographer Art Kane, for Esquire Magazine (McPartland is on the front row, standing next to KC native and jazz pianist great, Mary Lou Williams.)

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(Photo c. by Art Kane, reproduction courtesy of Twisted Sifter WWW site)

The Marr Sound Archives on the ground floor of Miller Nichols Library houses many recordings of McPartland.  Check out our library catalog!

One favorite LP located in Marr is the 1977 recording on the Improv label: Marian and Jimmy McPartland and the All Star Jazz Assassins.  Our copy features McPartland’s signature with additional narrative: “Spelled my name wrong as well as putting this lousy cover on the front!”  You judge the cover for yourself!

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Always experimental, when McPartland turned 80, she said “I’ve become a bit more — reckless, maybe. I’m getting to the point where I can smash down a chord and not know what it’s going to be, and make it work. And though I’ll never swing like Mary Lou Williams, I’m better at it than I used to be”–Terry Teachout, The New York Times, March 15, 1998.

McPartland passed away at the age of 95 on Aug. 20, 2013 at her home in Port Washington, N.Y.

~ Wendy Sistrunk, Head, Special Formats Metadata & Cataloging Dept., UMKC

A “Black Towel” Event

SteberLargeLocated in the basement of the Ansonia Hotel, the Continental Baths were the nexus of New York’s hedonistic gay scene in the early 1970s.  Its upper west side location reflected the quality and cleanliness of the bathhouse found inside.  Opened by Steve Ostrow in 1968, the Continental had all the expected accoutrements, but also featured a boutique, a hair salon, even a room for nondenominational religious services!  The Baths were enormous popular, and became even more so with the introduction of live entertainment.  It was here that a very young Bette Midler connected with the gay community, backed on piano by one Barry Manilow.   Other performers who graced the small stage included Sarah Vaughan, Cab Calloway, Peter Allen, and funk group Labelle.  But perhaps the most unexpected artist who sang at the Continental was the opera diva Eleanor Steber.  Ostrow, himself a professional opera singer earlier in his life, somehow convinced Steber, a resident of the Ansonia, to appear onstage and promised her a live recording of the event.  The sold-out audience was comprised of opera-goers in traditional black-tie garb who mingled with libidinous gay men who donned only black towels.  All of them were treated to an unforgettable evening of Mozart, Massenet, Puccini, and Charpentier.  New York City  Mayor John Lindsey even sent a telegram to Ostrow:  “I wish to extend my congratulations to the Continental Baths and Health Club on the occasion of your black tie, black towel concert.  Your sponsorship of…Eleanor Steber is a wonderful opportunity for the community to enjoy her great talent outside the Metropolitan’s halls…”  Released in 1974 on the RCA Red Seal label, “Eleanor Steber Live at the Continental Baths” is a definitely a record of a unique moment in time.

Venereal Disease and Country Music

2013-08-05_VD_Goldin_RoyAcuffFor the seventh time, folk singer and songwriter Tom Glazer picks up his guitar, sees the red recording light go on, and sings at the microphone in all sincerity:

Don’t take a chance go see a doctor
Don’t take a chance go get examined
Don’t take a chance go see a doctor now.

Glazer was taking part in an experiment by the Public Health Service, began in the late 1940s, called “VD Radio Project” (the “VD” was a nicer way of saying venereal disease).  He wrote and performed this little song to introduce seven short announcements about venereal disease and the importance of getting seen by a doctor.

VD Radio Project’s goal was to educate the public and dispel taboos about syphilis, gonorrhea, and other venereal diseases. Other than the seven short recordings done by Glazer, the rest of the series consisted of fifteen minute episodes. Some were straight radio dramas, and some were real life stories and voices from those affected by venereal diseases. But the episodes of “VD Radio Project” that had the most impact used a powerful weapon–popular musicians like Tom Glazer, Woody Guthrie, Sister Rosetta Tharpe, Merle Travis, Roy Acuff, and Hank Williams.

These episodes were typical radio dramas in one sense but were also partly told in verse and sung in ballad. The guest stars functioned as sort of narrators and sort of troubadours. These mixtures of music and drama Erik Barnouw, creator of the series, called “hillbilly operas.” The songs were sometimes reactions to situations, but also were used to move the plot forward. Alan Lomax, a pioneer in collecting and preserving American folk music, was key in creating this style of radio musical drama.

One episode written by Lomax, Looking for Lester, integrated Roy Acuff and His Smokey Mountain Boys into a drama based on a true story. The episode is about Lester, who falls in love with Ann, but sleeps with another girl and contracts syphilis. Or as Roy Acuff put it: “Old Lester was fit to be tied, went to the bar and got fried,” and then, “went on a spree that was a dilly, with a filly named Millie!”

Lester returns to Ann, and the young couple marry.

Sound your “G” chord boys and I’ll tell Lester’s story.

A chord is strummed on a steel string guitar and Roy Acuff and the Smokey Mountain Boys play this tune:

Is there anything nicer in the whole round world my honey
Is there anything nicer in the whole round world My babe.
Is there anything nicer in the whole round world
When a girl loves a boy and a boy loves a girl.
Honey o baby mine.

Lester and Anne got married in May my honey
Lester and Anne got married in May my babe
Lester and Anne got married in May
Life was happy and life was gay
Honey o baby mine.

But, alas, everything is not so happy. Ann gets pregnant and during a checkup with her doctor she finds out that she has syphilis. Lester leaves in anger and shame. Roy Acuff gives the drama a touch of reality by informing the audience that this is about someone he really knows who might be listening. He begs his friend to come back to his wife and their child, and tells him that syphilis can be cured.

J. David Goldin calls this radio play, “Good radio!” And I agree. Especially since it and the other “hillbilly operas” treaded new ground artistically for radio. They combined the popularity of musical celebrities, original song writing and singing, radio drama, real life experiences, elements of radio opera, and medical advice all to an altruistic end.

These musical episodes of “VD Radio Project” are getting attention today for the stars that were in them. The episode with Hank Williams has understandably been given much attention. A researcher in New Hampshire, Fred Bals, is currently writing a book about the series and plans to do research at Marr. We say, “good luck!” to Fred, and hopefully, lots more books will come out of the J. David Goldin Collection!

Troy Cummings, guest contributor