Emmy Rossum is the unsung hero in Hollywood right now after she demanded, fought for, and receive equal pay of her co-star, William H. Macy. One of my favorite shows is Shameless. The show is set in south side Chicago with Macy playing a dead beat dad with six children. The oldest of the children is Fiona (played by Rossum) who is truly the center of the show.
When Rossum began the show 9 years ago she didn’t have the equivalent experience as Macy, so the unequal pay wasn’t an issue to her. However, 7 seasons later and after directing many of the shows herself, she decided it was time to ask for equal pay. Due to the extensive negotiations about her pay, production for the 8th season was put to a halt. Fortunately, Rossum got what she wanted and deserved and is now beginning filming for the 9th season.
While finding articles about her equal pay fight, I was pleased to find that Rossum had major support behind her fight for equal pay, including support from Macy: “It’s show biz’s job to get us for as cheaply as they can – and our job to say no…It’s unconscionable they would pay a woman less for the same job.”
Regarding becoming a champion for equal pay, Rossum stated: “This is across the board in every industry, how women are paid versus how men are paid. And then you take it further, that kind of bias extends not just to gender but to race, ethnicity, religion.”
Emmy Rossum is a role model and exactly who we need to inspire more women in Hollywood and the real world to demand their equal pay.
The Good Fightis a spin-off of the show The Good Wife. The Good Wife was a wonderfully surprising feminist show. I didn’t expect The Good Wife to be feminist based off of its name, however, it features a strong female lead who goes back to working as a lawyer after 13 years of being a housewife. The Good Wife follows Alicia Florrick as she navigates the male-dominated profession as a first-year associate alongside younger, newly-minted colleagues. She climbs to the top and also finds herself along the way.
The Good Fight premiered two years ago, shortly after The Good Wife ended. The Good Fight does not have Alicia Florrick in it, instead my favorite character is another strong female lead character from The Good Wife series, Diane Lockhart. Diane is a well-seasoned attorney who built a firm but was ultimately pushed out following a scandal. She cannot retire because her money was stolen and needs a new job. Struggling to find a job, she only receives one job offer from an African-American-run firm. She joins the firm and as a partner, the firm becomes predominately women.
A show featuring African Americans and women as leads in professional fields is rare and a breath of fresh air. The show covers many hard topics such as police brutality, the #metoo movement, hate crimes, and rape. The show also shows women and people of color that they are not forgotten and can rise to the top. It is currently my favorite show and I look forward every week to it airing. The catch is that it is a CBS original, so you have to pay $5.99 a month to watch it (it includes all the other CBS shows as well). Because it is an original the show allows swearing and is not as censored, which is great for covering topics that are controversial. I highly recommend this show if you have an extra $6 a month.
This week Janelle Monáe dropped a new music video for her single PYNK. This is the third song and video she has dropped from her upcoming third solo album, “Dirty Computer” which is set to release April 27.
The video PYNK hit the web earlier this week, featuring only women dancers. Directed by Emma Westenberg, the video opens with Janelle Monáe and a line of backup dancers wearing pink leotards and what the internet has been describing as pussy pants.
The entire video is pink of course. But in addition to the pussy pants and pink everything throughout the video you can see underwear with slogans like “Sex cells” and “I grab back” among many other womanist phrases.
In February, Monae dropped two songs and videos. The songs are “Make Me Feel” and “Django Jane”. Both are songs that I absolutely love. “Make Me Feel” pays a clear homage to the legend Prince, reflecting on his 1986 video for “Kiss”. “Django Jane” which features Monae’s nice rap flow, is a song that celebrates the strength, courage and beauty of black women. It celebrates black culture while addressing the trials and tribulations of identity in a modern society.
Monae stated, “PYNK is a brash celebration of creation, self-love, sexuality, and pussy power! PYNK is the color that unites us all, for pink is the color found in the deepest and darkest nook and crannies of humans everywhere.”
So, she not only uses Pynk to celebrate black women but to Its celebrate everyone and unify us all.
Like she said, deep inside we’re all pink.
There were concerns that the pants in the video might not be inclusive of women who don’t have vaginas. Monáe and Thompson quickly to address those concerns. Thompson tweeted, “To all the black girls that need a monologue that don’t have Vaginas, I’m listening.” Monáe tweeted, “Thank you to the incomparable and brilliant @TessaThompson_x for helping celebrate US (no matter if you have a vagina or not) all around the world! We see you. We celebrate you. I owe you my left arm T. Xx.”
I am extremely excited for this album to release later this month. I am truly pleased with her releases thus far. I am so happy, proud, and so thankful for Janelle Monae’s artistry and how she uses her platform. She promotes and supports those who choose to live their truths unapologetically and does so herself. For that I will forever support her. <3
This past Golden Globes weekend, Oprah Winfrey received a lifetime achievement award and gave a very moving speech. The actress, producer, and philanthropist presented a message of hope, unity, and optimism in her speech.
She opened with a story reflecting on her childhood when she was a little girl in 1964, watching the Oscars from the linoleum floor of her mother’s house in Milwaukee. She explained how hearing five words that changed history: “The winner is Sidney Poitier,” inspired her to be the person she is today.
“I had never seen a black man being celebrated like that,” she said. “I’ve tried many, many times to explain what a moment like that means to a little girl, a kid watching from the cheap seats as my mom came through the door, bone-tired from cleaning other people’s houses,” she said.
In addition to being the first black man to win Best Actor at the Oscars, he also was awarded the Cecil B. DeMille Award in 1982. The same award that Oprah was receiving. She also spoke of Recy Taylor, a young black woman who in 1944 had the courage to speak out against her white male rapists. Taylor was of great inspiration to Rosa Parks and many others.
After hearing Oprah Winfrey’s speech, I realized how important it is that we live in our truth as she said. When we follow our heart, despite opposition and fear, we are in turn paving a way for others and inspiring others. We are shaping the future for us all because, when it comes down to it, we are one. Winfrey’s inclusiveness of men and women in the fight against sexual harassment on all levels was strong and very inspiring. Her speech proclaimed the strength and sisterhood of the women in Hollywood who suffered and spoke out against harassment along with women all around the nation.
“But it’s not just a story affecting the entertainment industry. It’s one that transcends any culture, geography, race, religion, politics, or workplace. So I want tonight to express gratitude to all the women who have endured years of abuse and assault because they, like my mother, had children to feed and bills to pay and dreams to pursue… Recy’s truth is here with every woman who chooses to say, ‘Me too,’ and every man who chooses to listen,” she said including male allies.
Perhaps her speech was never meant to be anything more than that, but it became a moment where many like myself, saw her presidential potential. People took to social media to express their #Oprah2020 dreams. I’m definitely not opposed to this at all. I think it takes someone who understands life and human connection in a special way to be President. This is what Oprah has shown us throughout her career. She is authentic and relatable, despite her lack of political experience which clearly is needed in today’s world. I think her life experience and amazing wisdom outshines many by far. This is what I believe could evoke a positive change and unity for all of humanity. I think that’s why her Globes speech transcended to the American people far beyond the fancy occasion. She met people in their living room sharing her truth to encourage us to share ours. We also can’t forget her extremely generous nature. Could you imagine her giving out free college tuition and student loan forgiveness in the same way she once gave free things to her audiences on the Oprah Winfrey Show?
“You get free college…. and You get free college….”
“You get loan forgiveness…. and You get loan forgiveness.”
I mean, a girl can only hope and dream. Right?
Oprah’s speech opened my eyes to a brighter future. Whether she runs for president, or just continues to contribute her thoughts of inclusion or shares her story, I’m happy. She continues to inspire me to overcome the many obstacles I face because of my gender and the color of my skin. She shows me that although it’s not easy, it’s possible. And the more we create change for ourselves, we are creating change for others because we are one. So that one day, hopefully sooner than later, young women like myself won’t have these same problems.
“For too long, women have not been heard or believed if they dare speak the truth to the power of those men — but their time is up. Their time is up!” –Oprah Winfrey
Last night at the Golden Globe Awards, Hollywood elite strolled the red carpet in their finest black attire. It was no coincidence that everyone chose to wear black. The choice was very conscious as a show of solidarity and support for the Time’s Up Campaign against sexual harassment. I first became aware of the campaign from a video on social media about a legal defense fund for sexual assault cases. Interested, I researched more. And what I found, I really loved.
Over 300 actresses, directors and writers including Shonda Rimes and America Ferrera, have launched a campaign to help fight sexual harassment. The Time’s up Campaign raises money to fund legal support for men and women victims of sexual harassment and violence. This in itself is amazing, but what really made me get excited for this campaign was that the target audience for this support is working class men and women. The founders described the effort as “unified call for change from women in entertainment for women everywhere.”
Time’s Up has raised $13 million out of their $15 million goal. I absolutely support this because I believe that celebrities have a duty to help advocate for issues that many people are fighting for. They have the resources, the power and the following to actually make progress towards positive change.
You’ve probably seen a lot of “me too” posts on Facebook, Twitter and other social media channels this week.
In case you missed it, actress Alyssa Milano popularized the movement Sunday night online, tweeting, “Suggested by a friend: If all the women who have been sexually harassed or assaulted wrote ‘Me too’ as a status, we might give people a sense of the magnitude of the problem.” However, it’s important to note that Tarana Burke, a black activist and feminist, actually founded this crusade two years ago (Whew… this could be a whole separate blog post, honestly).
However, despite confusion over the idea’s origins, it quickly caught on: “Me too” trended on nearly every social platform, and The New York Times and CNN both covered the phenomenon. Milano’s tweet amassed 47,000 comments.
Yet I can’t help but feel conflicted about the message. As powerful as it was to see “me too” flood my Facebook feed, I and many others won’t be joining in posting these words.
Simply put, women shouldn’t have to relive their experiences with assault and harassment to “raise awareness.” We live in a country where the one in five statistic, sometimes upped to one in four—representing how many women will be raped in their lifetimes—is widely known. “Me too” attempted to reveal a huge problem, but let’s be real: This issue hasn’t been hidden. Rather, like the recently exposed sexual assault and harassment perpetuated by Harvey Weinstein, it’s long been an open secret.
In fact, the “me too” cry seems to echo the reasoning of men who say they became more enraged about sexual assault after having a daughter. Yes, it can be shocking and emotional to find out your best friend, family member, former colleague or other Facebook connection survived sexual violence—but that shouldn’t be what it takes to fuel anger and disappointment.
Furthermore, posting “me too” can put the burden on survivors to answer uncomfortable questions, respond to doubts, and mediate family or friends’ devastated reactions.
Though on a small scale, the “me too” trend represents how much of our own energy and emotional labor women put in to combat sexual assault. Who’s supporting and working with us? This time, a like, share, or emoji isn’t enough.
Insecure creator and star Issa Rae added a new achievement to her belt of black girl greatness. These last few years have definitely been life-changing for her, from the continuance of her hit show Insecure, to connecting with stars like Oprah, Ava DuVernay, Beyoncé and more. Issa has been gracing red carpets, television, and computer screens. Through all of this success, she paints a beautiful portrait of what it means to accept her awkward black girl magic. She so confidently expresses a different narrative of black sisterhood.
Issa’s come a long way from her award-winning web series The Misadventures of Awkward Black Girl, which followed the life of a self-proclaimed awkward black girl named ” J.” Even in this debut project, her characters were definitely relatable and empowering to women. Issa Rae’s work uplifts the beauty of black women, no matter how “awkward” or “insecure” they may be. She represents them with narrative and cinematographic complexity.
Last month, CoverGirl recognized this beauty when it named the writer, actress and singer as its newest celebrity spokesperson.
“I remember being an awkward black girl in high school, reading the pages of my favorite magazines, casually flipping through CoverGirl ads, singing their slogan in my head,” Issa wrote on Instagram.
“In all my awkward, black years I never imagined I’d be a CoverGirl! SO honored & SO excited,” she continued.
Issa joins the astonishing Rihanna, Zendaya, Queen Latifah, and more gorgeous women of color who have collaborated with CoverGirl.
I’m excited to press play on what’s to come from Issa Rae as she continues to redefine beauty, representing women who are often overlooked and underappreciated.
After a week of cryptic hints on social media, Taylor Swift dropped a new single last week. The song, titled “Look What You Made Me Do,” inspired a debate on Twitter just minutes after its release.
Though it’s fueled by a dance-y, techno beat, Swift’s newest hit has a dark message. She strikes back at the media and at Kanye West, vowing to get revenge. It also seems to be a response to those who call Swift a “snake”: her video teasers for the song featured an angry, slithering serpent.
Some labelled the song “victim-playing,” while others applauded Swift for owning her infamous reputation. Either way, with lyrics that mention back-stabbing, karma and even Swift’s own death, one theme of the song is clear: the singer isn’t afraid to call herself crazy, or play along with the stereotype. In fact, the role of the villain helps revamp her career. She used the same tactic three years ago to write her single “Blank Space” from the perspective of a heartless, serial dater.
In fact, many famous women have recently used this career move. In her 2016 stand-up special Baby Cobra, comic Ali Wong jokes about trapping men into relationships and marriage, specifically wealthy men. She plays the crazy, gold-digger stereotype, while also ridiculing it. Ironically, the financial success of Baby Cobra and Wong’s show Fresh off the Boat means that she’s far from a gold-digger.
Writer and actress Rachel Bloom also embraces the stereotype of a crazy ex-girlfriend on her show, aptly called Crazy Ex-Girlfriend. She plays high-powered New York City lawyer Rebecca Bunch, who spontaneously follows an ex-boyfriend to a small town in California. With over-the-top musical numbers and relatable jokes about social media creeping, Bloom makes us laugh at the crazy ex stereotype, but also approaches it with complexity. She even remarks in the show’s theme song that “crazy ex-girlfriend” is a sexist term.
The recent success of thriller novels like Gillian Flynn’s Gone Girl shows that people love it when women play the villain. Swift, Wong, Bloom and others are more than happy to oblige, and educate along the way.
Why do we notice women in the news for what they are wearing, and men in the news for what they are doing? Why are we more inclined to point out what a women has on than we are a man?
On Snapchat, pretty much daily, you will see story lines about what various female celebrities are wearing. Do women just dominate the fashion world? No. But why then is what they are wearing what makes them newsworthy? Men are rarely seen in Snapchat stories and media for what they are wearing. Rather, they are mostly mentioned for who they are with or what they are doing. So why is it that we are so focused on capturing, celebrating, and criticizing women for what they wear?
I did a Google search of “media’s focus on female fashion,” and many articles came up that illustrate why focusing on what a woman wears above all else, creates problems in the way they are perceived. The whole first page was full of articles about media coverage on female politicians and scientists. Attention for these women should focus on what they are doing in leadership and research, not on their fashion choices. But that’s often where the attention goes and what makes the headline or story. The media never treats men this way. Part of the reason there are fewer women than men in these fields is because of this constant focus on what women are wearing, rather than what they are doing. This sends the wrong message to young girls and may discourage them from considering those careers. Focusing on a woman’s appearance devalues her professionally, and can , often to no avail.
When I changed “female” to “male,” in my Google search, what I found confirmed that this was largely a female issue. However, my searches did find that the media pays disproportionate attention to men with regard to sports and their athletic physique, which creates body image issues among young boys. So maybe men are not being portrayed fairly in the media either; however, the specific focus that the media places on how women look and what they are wearing can be damaging to them professionally and can affect to how they see themselves and assess their own .
So why does the media focus so much on what women are wearing? How did this come to be?
The male gaze, coined by feminist film critic Laura Mulvey in 1975 describes the way in which the visual arts and literature depict the world and women from a masculine point of view, presenting women as objects of male pleasure. An object does not do anything, it is to be looked at. An object is something that we do things to or do things with, but it does not act on its own. Perhaps media outlets have become like Mulvey’s man behind camera. The male gaze through the lens of the media can objectify women and distort how we value them, and this can have dangerous effects.
As media evolves and grows, pictures become stories and videos become GIFs. These narratives that we create in order to understand ourselves and others are becoming more and more embedded into our everyday lives. As media becomes more connected to us through social media, it is important to become vigilant in recognizing the male gaze in the media so we can rise above its influence and decide for ourselves what is truly newsworthy.
The keynote speaker for this year’s 12th Annual Women of Color Leadership Conference is Angela Rye, a political powerhouse who is being called “TV’s Wokest Bae.” Named after the legend Angela Davis, she has been living up to the movement of being the change. Angela’s continuous work has been connecting the public with politics, and growing the ever evolving sphere of politics and leadership towards one of equity.
Angela is deeply rooted in political leadership and has a very impressive history with political activism and education. A graduate of University of Washington and Seattle University School of Law, she is now the co-founder, Principal, and CEO of IMPACT Strategies, “an organization that seeks to encourage young professionals in three core areas: economic empowerment, civic engagement, and political involvement.” She has been featured in many publications and outlets as an influential politico, lawyer, and advocate. Angela serves on a number of boards including the Congressional Black Caucus Institute, and the Seattle University School of Law Alumni, and is a member of many groups including the National Bar Association, and has won 21 distinctive awards from 2010-2015. Catch her on CNN as a regular commentator, and read more about her history on her website.
Angela continues to speak at events and on media outlets, reaching local and national audiences. Her conversations are crucial to help new upcoming leaders, and help educate and advocate awareness of the issues that we face in our government and institutions today.