Patricia Stevens Collection – Evolution of the Adolescent Female

Patricia Stevens started her career as a professional model in Chicago in 1945. The late Florence Czarnecki Stevens became “Patricia Stevens” only after her 1946 marriage to a young Chicago entrepreneur named James Stevens. Before he met Flo, he had already named his training school, a business designed to help women navigate the post-war work world.

An early subscriber to Stevens’ vision was Howard Hughes. The millionaire industrialist and Trans World Airlines chairman was Jim Stevens’ first big client. Hughes hired the new company to train TWA stewardesses when the airline was still bKIC Document_Page_3ased in Kansas City. In 1948 every airline attendant hired by TWA was trained by Patricia Stevens with guaranteed placement by TWA; that division was called Stevens Air College. They even had half an airplane in their building to help in their training. The Patricia Stevens Career College & Model Agency came later. Jim’s sister, Bernadine, legally changed her name to Patricia; but Flo, the woman who everyone assumed was the real Patricia Stevens, never did. In the late 1950s the Patricia Stevens School System chose Kansas City as a home base owing to the fact that the Kansas City Market was the most difficult in the franchised chain of 55 schools to operate. The chain of modeling schools and talent agencies bearing her adopted name extended across the country

Flo’s three daughters – Patricia Jr., the eldest; Melissa, the second born; and Sheila the youngest – were groomed to be stylish, poised and popular. They weren’t just the daughters of a familiar local brand; they were walking advertisements for the family business. The oldest daughter, Patricia, was voted Miss Teenage Kansas City in 1968. The youngest, Sheila, dressed up as the Easter Bunny every spring for the Easter parade, which Flo Stevens started on the Country Club Plaza in 1960. This popular tradition continued for over three decades, until its swan song in 1995. KIC Document_Page_1

The Stevens collection shines a reflective light into the past and the antiquated mind set of what a woman’s role was to be in contemporary society. It was Patricia Stevens charge to indoctrinate young women to the importance of personal appearance and proper deportment. Informational handouts and class curriculum dictate the need to begin a regiment, beginning as a young child, establishing wardrobe colors which will best suit personality and social acceptance. Levels of training included modeling courses, fashion merchandising, charm classes and business classes. Modeling students were groomed to participate in fashion shows and other such events as well as compete in local and national beauty competitions. Debbie Bryant, Miss America 1966, was a graduate of the Patricia Stevens School. KIC Document

The Patricia Stevens Collection is a wake-up call to those who came of age in an era when women held a social status unique to those of today’s standards. It is enlightening to say the least, with elements of humor, shock and, at times, disbelief. Confidential correspondence speaks to a level of hero worship and even psychological dependence  on the Matriarch of this organization, Flo Stevens who, according to her students was either embraced or rebuked. There would be no middle ground. It is rich in content for a researcher interested in the study of women’s historical cultural issues. It is also the story of a family – the Stevens family, a single mother and her three young daughters – who lived and breathed for what they felt was a noble cause; and, for the most part, who felt their students to be part of their extended family.

Teresa Wilson Gipson, Library Information Specialist II, LaBudde Special Collections

Some Excerpts from:
Ferruzza, Charles. “Melissa Stevens – heir to the Patricia Stevens Modeling School – refuses to be forgotten.” Pitch Weekly. August 9-15, 2012.

She’s Like Elvis, But Hotter

Staff Pick: There’s A Party Going On, Wanda Jackson (Capitol, 1961)

KIC Image 0001

Although she’s still referred to as the “Queen of Rock n’ Roll,” Wanda Jackson is not a household name. She’s an integral part of rockabilly and rock n’ roll history, however, and her gravely rasp and bold style is highly worth some overdue attention.

Born Wanda Lavonne Jackson in Maud, Oklahoma on October 20, 1937, Wanda’s father was the first to encourage her to play guitar, piano, and sing (he had also pursued a career as a country singer before the Depression). When she was a teenager, she performed regularly as a country artist on a local Oklahoma City radio show, where she was discovered by country superstar Hank Thompson. Wanda toured with Hank and his Brazos Valley Boys in 1954, and signed with Decca that same year.

During a 1955 package tour, Wanda was paired with the likes of Johnny Cash, Carl Perkins, Jerry Lee Lewis, Buddy Holly, and Elvis Presley. Wanda and Elvis dated briefly, but remained friends for long after; she largely credits Elvis for encouraging her to pursue a career in rockabilly music. In addition to being one of the first (and few) women to sing rockabilly, Wanda was also one of the first women to add glamour to the scene with her pencil dresses, heels, glitter, and fringe.

KIC Image 0002

In 1956, Wanda signed with Capitol Records, a relationship she would maintain into the early 70s. With Capitol, she cut her most successful singles, including “Fujiyama Mama,” “Mean Mean Man” and “Who Shot Sam,” which are still considered rockabilly classics today.

Her most popular single, “Let’s Have a Party,” released in 1960, was originally recorded by Elvis for the 1957 film Loving You. There’s a Party Going On, released on the heels of “Let’s Have a Party” in 1961, captures Wanda’s vibrant energy and raucous spirit. Must listens include Wanda’s rendition of “Kansas City,” and a silly number called “Tongue Tied,” a chronicle of Wanda’s lovestruck awkwardness. Her band on the album, dubbed The Party Timers, includes legendary country guitarist Roy Clark. To top it off, Marr’s copy of this album includes Wanda’s original signature on the cover with the note: Love you!

Although she gained fame for her rockabilly hits, Wanda eventually returned to her country roots, and even recorded gospel music in the 1970s after becoming a born-again Christian. Now 75, she continues to tour and record. In 2011 she put out the album, The Party Ain’t Over, which was produced by Jack White. Her latest album, Unfinished Business, released in 2012 and was produced by American singer-songwriter Justin Townes Earle. The Marr Sound Archives holds over a dozen of her records, including cuts from both the rockabilly and country genres.

[audio:http://info.umkc.edu/specialcollections/wp-content/uploads/2013/09/01-Tongue_Tied-Clip.mp3|titles=Tongue Tied by Wanda Jackson]

Barbara Varanka, Graduate Assistant, Marr Sound Archives

In Memory of Patricia Huyett and Her Intrepid Life’s Journey

 KIC ImageThe Patricia Huyett Collection was gifted to the LaBudde Special Collections in April, 2011 by Patricia Huyett. Ms Huyett, a former Alumnus and Professor of the University of Missouri, Kansas City was a Renaissance woman in the truest sense of the word, and this collection reflects those broad identities. Among the jewels of this collection are her personal journals, which range in emotion from whimsical to compelling. As she documents the experience of a young girl’s journey into womanhood, she freely expresses her most intimate thoughts; fears and the hopes of who she is and what she wished to achieve on a daily basis and ultimately in life. As one peruses the hundreds of pages of text throughout the collection, they are transported into a unique experience and provided an inkling of what life can hold when creativity and passion show no boundaries. Huyett pens her life’s lessons and cosmic imagination into the form of poetry, short stories, novellas, and even songwriting. Also included in this collection is a series of correspondence, the bulk of which is personal, along with college papers; teaching materials; graphics and photographs.  Ms Huyett shares her inner most senses and reveals what motivates her means to an end. As a writer, she is articulate, with a sharp wit and an infinite compassion for her fellow being. The journals are a glaring testament to the historic significance of personal histories and the fading practice of putting pen to paper in the form of diaries, letters, etc. The latter will serve to deny future generations the historical bounty we now take for granted. Sadly, the emotions and interactions of impending ancestors are vanishing into the age of digital eventuality.

KIC Image

Teresa Wilson Gipson, Library Information Specialist II, LaBudde Special Collections

Chuck Haddix to discuss his new Charlie Parker biography

The life and music of Charlie "Bird" ParkerWhile it’s not unusual to hear our own Chuck Haddix on the radio, this week he will have an unusual time slot and a different program – he’s appearing as a guest on Up to Date with Steve Kraske to discuss his new Charlie Parker biography and the “Spirituality and All that Jazz”  event scheduled for Wednesday, October 2 at Unity on the Plaza.  The Unity program will feature a narrated musical debut of the book that includes Bobby Watson, Tim Whitmer, and other musical friends, so tune in to 89.3 FM or kcur.org at 11:00am on Thursday to learn more.

The Passing of a “Genteel Englishwoman”

We mourn the recent passing of Marian McPartland, jazz legend and host of the popular radio show on NPR, “Marian McPartland’s Piano Jazz.”  Born in Windsor, England, March 20, 1918, McPartland moved to Chicago in 1946 with her American husband, Jimmy.  She became a fixture of the American jazz scene, first as a pianist in the 1950s, and then in 1978 as the host of her radio show.  McPartland was one of only three women featured in the iconographic 1958 photo A Great Day in Harlem, a b&w group portrait of 57 notable jazz musicians photographed in front of a brownstone in Harlem, New York City by freelance photographer Art Kane, for Esquire Magazine (McPartland is on the front row, standing next to KC native and jazz pianist great, Mary Lou Williams.)

GreatDayinHarlem1958

(Photo c. by Art Kane, reproduction courtesy of Twisted Sifter WWW site)

The Marr Sound Archives on the ground floor of Miller Nichols Library houses many recordings of McPartland.  Check out our library catalog!

One favorite LP located in Marr is the 1977 recording on the Improv label: Marian and Jimmy McPartland and the All Star Jazz Assassins.  Our copy features McPartland’s signature with additional narrative: “Spelled my name wrong as well as putting this lousy cover on the front!”  You judge the cover for yourself!

McPartland1 McPartland2

Always experimental, when McPartland turned 80, she said “I’ve become a bit more — reckless, maybe. I’m getting to the point where I can smash down a chord and not know what it’s going to be, and make it work. And though I’ll never swing like Mary Lou Williams, I’m better at it than I used to be”–Terry Teachout, The New York Times, March 15, 1998.

McPartland passed away at the age of 95 on Aug. 20, 2013 at her home in Port Washington, N.Y.

~ Wendy Sistrunk, Head, Special Formats Metadata & Cataloging Dept., UMKC