Tag Archives: Kansas City Public Library

The 1968 Oral History Project Launches

Aerial view of a group of protestors in the middle of the street.

In this photo from the 1968 Riot Collection in UMKC’s LaBudde Special Collections, protestors march down Vine at Flora and Paseo.

On April 4, 1968, in the midst of nationwide social and political turmoil, Martin Luther King, Jr., was assassinated. On April 9, the day of his funeral, Kansas City (MO) Public School officials chose not to cancel classes. In protest, students from Lincoln, Manuel, and Central High Schools marched from school to school and finally to City Hall. They were followed by police officers dressed in riot gear. Though it is unclear what prompted police officers to begin firing tear gas on the crowd, the confrontation between police and protestors escalated. By that night, the demonstration had given way to chaotic riots that lasted four days. Many buildings around 31st Street and Prospect burned, protestors and officers were injured, and six African American citizens were killed. The 1968 riots were a painful moment in Kansas City’s history, but they also raised questions and launched conversations about racial tensions and social disparities—conversations that continue today.

(For a more detailed account of these events, see Joel Rhodes’ article “It Finally Happened Here” in the April 1997 issue of the Missouri Historical Review.)

The 50th anniversary of these events this spring prompted articles and documentaries (like this one by KSHB), panels (like the “’68: The Kansas City Race Riots Then and Now” held at the Kansas City Public Library), and exhibits (like this one at the Central Branch of the Kansas City Public Library). KCUR drew attention to the collection in UMKC’s LaBudde Special Collections, and called for help identifying the subjects of the photographs. The unnamed faces and unclear contents of those photos reflected a crucial problem: we needed to do more to preserve people’s memories and perspectives. Photographs and official reports are important parts of the historical record, but so, too, are the recollections of the people who participated.

Black and white photo of a line of police officers wearsing gas masks. Two of the police officers look at the camera.

In this photograph from the 1968 Riot Collection in UMKC’s LaBudde Special Collections, police officers line up outside of City Hall wearing gas masks and carrying billy clubs.

To correct this problem, KCUR’s Director of Community Engagement Ron Jones, Miller Nichols Library Advancement Director Nicole Leone, and UMKC Assistant History Professor Sandra Enriquez teamed up to launch the 1968 Oral History Project, an effort to interview Kansas Citians who experienced or participated in the 1968 demonstrations. Their goal is not only to gather recollections of the protests, but also to understand the broader context of racial tensions and social problems in Kansas City before and after 1968. I was invited to join the project as a graduate assistant.

At our first recording session, held at the Lucile Bluford Branch of the Kansas City Public Library in May, I watched Dr. Enriquez conduct three interviews. Though I am no stranger to interviewing—my background is in newspaper journalism—I was grateful for the opportunity to observe an oral history interview. There are subtle but important differences in the historian’s approach to interviews: Where journalists are focused on the details of a specific event, historians want to pull back and get a bigger picture, understanding the context that motivated the interviewee and influenced their perspective. Reporters are often pressed for time, keeping interviews tightly focused, asking questions that they hope will provoke clear answers and interesting quotes, and focusing on how the interview relates to the story at hand. Oral historians have the luxury of more time to follow the subject down interesting trails of thought. Perhaps even more important, oral historians do not always have a clear goal for the interview, except to preserve the subject’s responses. As a result, historians cover more terrain—I find myself wondering what a future historian will curse me for not asking about during my interviews.

I conducted our second round of interviews on Saturday, June 16, at the Southeast Branch of the Kansas City Public Library. My greatest fear was that, despite my backup batteries and backup recorders, I would run into some technological problem. All went smoothly, though, and I was able to settle in to listening and asking questions. In a future post, I’ll talk more about the interview process, some of the things I am wrestling with in my role as an oral historian, and the challenges of conducting oral histories. For now, though, I will say that it is fascinating to sit and really listen to a variety of people share their overlapping but different stories. Some themes emerge, some of the same names and places come up again and again, but each person also brings a unique perspective, shaped by their families, their experiences, and by their lives after these events.

This is my first foray into oral history, and I am hooked. Maybe it’s the former journalist in me, but the opportunity to engage in a conversation about people’s memories is a powerful experience. Not only do I believe that oral histories complement existing archival sources like photographs and documents, but studying oral history has prompted me to rethink the historical sources I encounter. We often fall into the trap of taking written sources at face value, as moments somehow frozen in time. As I listen to how seamlessly our interview subjects connect the events of 1968 to the social and political struggles facing our country today, I’m struck with the knowledge that all of our experiences and memories are influenced by what came before, and will continue to impact the events that follow. Examining the complicated interaction of context, continuity, and change is what gives history its thrill.

We have conducted six interviews so far. We are hoping to interview far more to gain as much understanding as possible, and one of my jobs is to find additional interview subjects. So please: If you or someone you know would be willing to share your experiences of the 1968 protests and riots in Kansas City, I would be grateful to hear and record your stories. Please reach out to me at kbcm97@mail.umkc.edu. You can also find me on Twitter at @katebcarp.

 

Some Things are Better Left to the Pros

By Tony Lawsom

One of my tasks as an intern has been to research and write content articles and artifact descriptions that will appear in the exhibit at the Wornall House opening next fall entitled, “Farmstead to Field Hospital: A Family in the Crossfire of War and Modern-Day Medicine in the Making”.  I’m experiencing a total immersion type of education in the history of the Wornall House, Civil War Medicine and the the Battle of Westport. I love my “job.”  Ask me anything. One of the things I am working on are newsletter blurbs for publicity and PR.  Once such article is on chloroform.

There were 1500 casualties after the three day Battle of Westport and the Wornall House became one of six local hospitals to care for the wounded.  I am certain surgeons used a lot of chloroform at the Wornall House and, using the creative imagination of an historian, I wrote a blog type of article where 9 year-old Frank Wornall perhaps caught a whiff of that sickly sweet smelling stuff as he tended to the wounded in his home after the battle.  The article I wrote was well researched and Jason Roe PhD at the Kansas City Public Library provided expert editing advice.  What the article needed to top it off and grab attention was quality photos of a vintage chloroform bottle.

But wait, there’s a catch:  The Wornall House Museum does not posses any Civil War era medical equipment, has no research library to speak of, and must beg, borrow, and ask permission to use nearly every item they are coming up with for the exhibits…including any photos of chloroform bottles.  And…there’s a deadline for the article to make into the April newsletter for the Kansas City Public Library newsletter.  Tonight!  By 5 pm!  

I tried to rescue the last minute situation by contacting Clendening Medical Library.  They have old chloroform bottles.  I’ll drive down there with that high quality digital Nikon camera I bought my wife twelve years ago and take some good pictures my dang self and save the day.

I thought about trying to snag our employee, Bethany, from our restaurant for the job. She runs a successful part-time photography business and takes stunning photos. I stopped by the cafe’ on my way downtown and the place was packed.  The look on my wife’s face let me know to not even ask to take Bethany away, not even for even a minute.  I’d have to take the photos myself.

Once I got to Clendening, I had to use all of my Irish charm to get them to walk across the giant rats maze that is KU Medical Center campus and please unlock the cabinet, take out the bottles and let me snap some shots.  My charm must have worked. They were very pleasant, cooperative, and even became interested in my project.  They even let me take some shots of a pencil drawing of a doctor administering chloroform to a patient.  That drawing gave me the willies.

I was snapping and clicking away with the camera like Jimmy Olson.  I was also blabbering away, schmoozing it up, and piling on my pleasant charms like a used car salesman at one of those we-finance-you-car-lots.  And apparently I was not paying any attention to what in the world I was doing with my wife’s over-complicated digital camera.

I got back to the the car all excited about my work and pleased with my genius and congeniality in the face of short notice.  I scrolled through the pics to see what I got.  I swear that I aimed, focused, and pushed the button twenty times on three or four items from several angle.  I even heard the click and saw a few flashes.  This is the total of what I got.  Two photos that look like this.

Nice shot...of the far wall.

Lesson learned: Some things are better left to the pros.  For the upcoming amputation kit photos: I’m going to shanghai Bethany for the job. On the bright side, The National Museum of Civil War Medicine e-mailed a couple pictures of chloroform bottles along with permission to use them at about the same time I was taking these lovely shots at Clendening Library.  They will accompany the article in the newsletter that you will be able to find here in a week or two.

 

 

Kansas City Public Library Seeks Summer Interns in Digital History

The Kansas City Public Library welcomes talented graduate students to apply for digital history internships at the library for the Summer 2014 semester. Interns will earn course credits and gain hands-on experience with the library’s digital history projects, especially the Civil War on the Western Border project. Opportunities exist for students to work in the following areas:

  • Creating K-12 lesson plans and curricular materials based on the site (Honorariums exist for lesson plan creation);
  • Content development;
  • Designing or creating an RFP for a mobile history app;
  • Creating online versions of our local history exhibits; or
  • Metadata, digitization, and curation through the library’s content management system.

Interested graduate students should follow the instruction on the How to Apply page.